Dean Martin, the suave crooner with an unmistakable voice, captured the hearts of listeners for decades with his unique blend of charm, humor, and smooth musicality. One of his most iconic songs, “Ain’t That A Kick In The Head,” stands as a testament to the artistry and style that made him a household name. Released in 1960 as part of the album Dino: The Essential Dean Martin, this track is an upbeat, swinging tune that showcases not only Martin’s vocal prowess but also the brilliant arrangement and instrumentation that define his timeless appeal.
This review delves into the key aspects of the song “Ain’t That A Kick In The Head,” exploring the musical composition, the instrumentation, and how it fits into the larger context of Martin’s career and the album itself. Along with examining its lasting cultural impact, I’ll also recommend similar songs that align with its spirit and musical energy.
Dino: The Essential Dean Martin – The Album
To fully appreciate “Ain’t That A Kick In The Head,” it’s important to understand the album from which it originates. Dino: The Essential Dean Martin is a comprehensive compilation that covers a vast span of Martin’s career, pulling together his most iconic hits and defining moments. Released in 2004, it serves as a retrospective of Dean Martin’s contributions to both the pop and traditional genres.
Martin’s career flourished during a time when vocal jazz, big band, and crooning were at the height of their popularity, and Dino: The Essential Dean Martin captures this golden era in American music. The album includes a selection of his most beloved tracks, from his signature ballads to his more playful, energetic numbers. “Ain’t That A Kick In The Head” is one of the more uptempo selections on the album, offering a lighthearted contrast to some of the smoother, more introspective songs included in the compilation.
The Song: “Ain’t That A Kick In The Head”
Written by Sammy Cahn and Jimmy Van Heusen, “Ain’t That A Kick In The Head” was first recorded by Dean Martin in 1960. It immediately became a hit, reaching the top of the charts and solidifying Martin’s reputation as a versatile performer. The song has a distinct 1950s/1960s jazz-pop feel, blending swing rhythms with sophisticated orchestration, yet it still maintains an infectious energy that resonates with listeners across generations.
The song’s lyrics, delivered with Martin’s trademark charm and wry humor, narrate the experience of a man who has fallen head over heels in love. The phrase “Ain’t That A Kick In The Head” captures the paradoxical nature of love—both exhilarating and bewildering. The upbeat rhythm and catchy melody are perfectly matched by the playful lyrics, creating a memorable track that is both lively and endearing.
Instrumentation and Musical Elements
The brilliance of “Ain’t That A Kick In The Head” lies not only in Martin’s vocal performance but also in the tight, cohesive instrumental arrangement that drives the song. The track opens with a bouncy, swinging rhythm, immediately drawing the listener in with its lively pace and confident, forward-moving beat. The prominent use of brass and percussion creates a bold, celebratory atmosphere, while the rhythm section—comprising of bass, drums, and piano—offers a steady foundation that allows Martin’s voice to soar.
Piano and Guitar
The piano in this piece plays a crucial role in laying down the harmonic framework of the song. With its syncopated chords and playful, jazzy lines, the piano provides a buoyant underpinning for Martin’s vocal delivery. It’s the kind of piano work that feels both spontaneous and deliberate, supporting the song’s lively vibe while subtly adding to its sophisticated charm.
While the song’s primary focus is on the brass and piano, the guitar also contributes to the overall sound. The guitar is lightly strummed in the background, providing harmonic support and helping to anchor the rhythm section. It’s a subtle touch, but it’s one that contributes to the full, rich texture of the track. The interaction between the piano and guitar is a defining feature of many songs from this era, blending the syncopation of jazz with the smooth simplicity of pop.
Brass Section
The brass section—comprising of trumpets and trombones—provides much of the song’s energy and excitement. The fanfare-like brass lines punctuate the melody, reinforcing the sense of joy and enthusiasm that pervades the song. Their bright, bold sound adds a layer of grandeur to the otherwise playful tune, making it feel like a celebration of love and happiness.
The brass arrangement is not overly complex, but it’s masterfully executed. The horns engage in call-and-response patterns with Martin’s vocals, creating a dynamic push-pull between the singer and the band. This interplay between voice and instruments is a hallmark of the big band style, and it’s executed here with such finesse that it feels almost effortless.
Drums and Rhythm Section
The rhythm section of drums and bass forms the heartbeat of the song, providing a steady pulse that drives the track forward. The drums are not overly aggressive but maintain a lively, swinging feel that keeps the energy level high. The bass, in turn, grounds the song, offering a smooth foundation for the other instruments to build upon.
The way the rhythm section interacts with the rest of the ensemble is crucial to the song’s success. There’s a sense of fluidity in the arrangement, with the rhythm section locking in perfectly with the horns and piano to create a seamless musical experience.
Dean Martin’s Vocals: Charismatic and Unhurried
One of the standout qualities of “Ain’t That A Kick In The Head” is Dean Martin’s vocal performance. Known for his smooth, laid-back style, Martin’s voice exudes an effortless charm that is perfectly suited to the playful nature of the song. His delivery is relaxed yet confident, conveying a sense of joy and satisfaction without ever feeling forced.
Martin’s phrasing is another key component of the track’s success. He’s able to take his time with each line, savoring the nuances of the lyrics, and allowing the music to breathe. His voice glides over the melody with ease, giving the song a sense of spontaneity while still adhering to the formal structure of the arrangement. It’s a masterclass in vocal control, with Martin’s rich baritone offering a perfect contrast to the bright brass and the energetic rhythm section.
Cultural Impact and Legacy
“Ain’t That A Kick In The Head” remains one of Dean Martin’s most enduring songs, widely regarded as a classic of mid-century pop and jazz. Over the years, it has been featured in numerous films, commercials, and TV shows, cementing its place in popular culture. The song’s carefree spirit and infectious melody have made it a favorite for celebrations and special occasions, continuing to captivate audiences long after its release.
The song’s light-hearted tone and swinging rhythm have also made it a staple in the “lounge music” genre, where Martin’s effortless cool has had a lasting influence. His combination of humor and sophistication has inspired generations of performers, from Frank Sinatra to modern-day crooners, making him a central figure in the history of American popular music.
Similar Songs for Further Listening
For those who enjoy “Ain’t That A Kick In The Head,” there are several other Dean Martin tracks that capture a similar energy and vibe. Here are a few recommendations:
- “Volare” – Another one of Martin’s most iconic songs, “Volare” features a similar upbeat tempo and playful energy. Like “Ain’t That A Kick In The Head,” it has a light-hearted, celebratory feel that makes it a timeless favorite.
- “That’s Amore” – Perhaps one of Dean Martin’s most recognizable songs, “That’s Amore” also showcases his smooth vocal style and charming delivery. The track’s joyful melody and romantic lyrics make it a natural companion to “Ain’t That A Kick In The Head.”
- “Everybody Loves Somebody” – A bit slower and more romantic, this ballad still captures the same easygoing charm that defines Martin’s work. It’s another example of his effortless vocal ability and strong connection with his audience.
- “Mambo Italiano” – For those who enjoy the upbeat and lively nature of “Ain’t That A Kick In The Head,” “Mambo Italiano” is a perfect follow-up. With its infectious rhythm and playful lyrics, it shares much of the same energy.
Conclusion
“Ain’t That A Kick In The Head” is a brilliant piece of music that showcases Dean Martin’s incredible vocal talent, the outstanding arrangement of brass, piano, and guitar, and the unforgettable charm that he brought to every song. Its inclusion in Dino: The Essential Dean Martin cements its place as one of Martin’s most beloved tracks and highlights the enduring appeal of his entire catalog. With its swinging rhythm, sophisticated instrumentation, and Martin’s smooth delivery, this song remains a highlight in the world of classic pop and jazz.
Whether you’re a longtime fan of Dean Martin or discovering his music for the first time, “Ain’t That A Kick In The Head” is a song that never fails to entertain. For those who are inspired by its joyful energy, the suggested songs will carry that same spirit and introduce you to more of Dean Martin’s timeless music.
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Lyrics
How lucky can one guy be?
I kissed her and she kissed me.
Like the fella once said,
“Ain’t that a kick in the head?”
The room was completely black.
I hugged her and she hugged back.
Like the sailor said, quote,
“Ain’t that a hole in the boat?”
My head keeps spinning.
I go to sleep and keep grinning.
If this is just the beginning,
My life is gonna be beautiful.
I’ve got sunshine enough to spread.
It’s just like the fella said,
“Tell me quick: ain’t love a kick in the head?”
Like the fella once said,
“Ain’t that a kick in the head?”
Like the sailor said, quote,
“Ain’t that a hole in the boat?”
My head keeps spinning.
I go to sleep and keep grinning.
If this is just the beginning,
My life is gonna be beautiful.
She’s telling me we’ll be wed.
She’s picked out a king-size bed.
I couldn’t feel any better or I’d be sick.
Tell me quick, oh, ain’t love a kick?
Tell me quick, ain’t love a kick in the head?