George Strait, the undisputed “King of Country Music,” is synonymous with timeless storytelling and emotive artistry. Among his vast catalog of hits is the playful and irresistibly smooth “We Really Shouldn’t Be Doing This,” a track that captures the lighthearted yet poignant nuances of forbidden romance. Featured on his celebrated album One Step at a Time (1998), this piece of music exemplifies Strait’s ability to blend traditional country charm with contemporary influences.
In this review, we’ll delve deep into the context of the album, the instrumentation that gives this track its distinctive flair, and the thematic brilliance that has made the song a favorite among country music enthusiasts. We’ll also provide a few listening recommendations for those who want more songs with a similar vibe.
The Album: A Snapshot of ‘One Step at a Time’
Released in April 1998, One Step at a Time marked George Strait’s 17th studio album, continuing his reign as one of the most consistent hitmakers in the genre. The album captures a transitional moment in country music, where traditional elements like steel guitars and fiddles were being complemented with slicker production and diverse influences. Strait, however, stayed true to his roots while offering fresh, innovative tracks.
“We Really Shouldn’t Be Doing This” is one of the standout songs on the album. While much of the record is steeped in ballads and introspective storytelling, this track provides a whimsical contrast. Its jazzy, upbeat tempo feels like a nod to the genre’s early honky-tonk roots, showcasing Strait’s versatility and ease in exploring diverse musical landscapes.
Instrumentation: A Melodic Delight
One of the most striking aspects of “We Really Shouldn’t Be Doing This” is its instrumental arrangement. Unlike some of the more somber or heavily layered tracks on One Step at a Time, this song is refreshingly minimalistic. The clever use of guitar, piano, and subtle percussion forms the backbone of the piece, creating a lively and engaging atmosphere.
Guitar: The Leading Voice
At its heart, the song features a charming acoustic guitar rhythm that drives its bouncy feel. The guitar’s playful strumming pattern is paired with a delicate lead line that adds character without overpowering the vocals. Strait’s knack for letting the guitar take center stage aligns with his commitment to authentic country storytelling.
Piano: A Jazz-Inspired Twist
The piano work in “We Really Shouldn’t Be Doing This” deserves special mention. It brings a touch of sophistication to the track, reminiscent of Western swing influences. The light, jazzy chords and occasional flourishes elevate the melody, making it stand out in Strait’s discography. The piano complements the guitar perfectly, weaving an intricate tapestry of sound.
Percussion and Bass: Subtle Foundations
The understated percussion gives the song a gentle, toe-tapping beat. Meanwhile, the bassline grooves effortlessly, adding depth without overwhelming the other instruments. Together, these elements create a danceable rhythm that mirrors the flirty, mischievous theme of the lyrics.
Themes and Lyrics: A Playful Exploration of Forbidden Love
Lyrically, “We Really Shouldn’t Be Doing This” explores the universal theme of temptation. Strait narrates the story of two individuals caught in a web of attraction despite knowing the potential consequences. The song’s lighthearted tone contrasts beautifully with its subject matter, making it both relatable and entertaining.
The conversational nature of the lyrics, paired with Strait’s smooth vocal delivery, gives the impression of eavesdropping on an intimate dialogue. Lines like “Somewhere I’d like to go, somewhere I’d like to kiss / We really shouldn’t be doing this” encapsulate the thrill and danger of succumbing to forbidden desires. Strait’s delivery strikes the perfect balance between sincerity and playfulness, making the song endlessly replayable.
Why It Works: The Timeless Appeal of George Strait
The success of “We Really Shouldn’t Be Doing This” lies in its simplicity and charm. Strait’s voice carries an effortless charisma that connects with listeners, while the instrumentation creates a soundscape that is both nostalgic and fresh. The blend of traditional country elements with jazz-infused piano flourishes sets this piece of music apart, proving Strait’s ability to innovate within the genre.
Moreover, the track’s breezy tempo and catchy melody make it an accessible entry point for those new to Strait’s work. For long-time fans, it offers a delightful reminder of his artistry at its peak.
Similar Songs: Recommendations for the Avid Listener
If you’ve fallen in love with the playful yet poignant vibe of “We Really Shouldn’t Be Doing This,” here are a few songs that might strike the same chord:
- “Ocean Front Property” by George Strait
Another classic from Strait’s catalog, this song combines clever wordplay with an irresistible melody. The instrumentation, featuring a prominent steel guitar, captures the essence of traditional country. - “Baby’s Got Her Blue Jeans On” by Mel McDaniel
This upbeat track shares a similarly lighthearted and toe-tapping energy, perfect for fans of Strait’s playful storytelling style. - “All My Ex’s Live in Texas” by George Strait
A quintessential George Strait hit, this song features lively instrumentation and a humorous narrative, making it a natural companion to “We Really Shouldn’t Be Doing This.” - “Neon Moon” by Brooks & Dunn
While slightly more melancholic, this track’s smooth melody and heartfelt lyrics make it a must-listen for fans of emotive country music. - “Milk Cow Blues” by Willie Nelson
A classic example of Western swing with jazz influences, this song echoes the playful instrumentation found in Strait’s track.
The Legacy of “We Really Shouldn’t Be Doing This”
More than two decades after its release, “We Really Shouldn’t Be Doing This” remains a shining example of George Strait’s brilliance. Its timeless appeal lies in its ability to capture a moment of shared humanity—both the thrill and the risk of stepping beyond boundaries. The guitar, piano, and thoughtful arrangement elevate the song, making it a standout piece of music on the One Step at a Time album.
Strait’s ability to make a simple story resonate so profoundly speaks to his mastery as a storyteller and musician. For anyone looking to explore the best of country music, this track—and the album it hails from—is a must-listen. Whether you’re a seasoned fan or a newcomer, George Strait’s work continues to inspire and delight, proving that true artistry knows no bounds.