The Album: Hollies
While We’re Through was initially released as a single in September 1964, it was later included in various compilations and reissues. The song was part of Hollies, the band’s second studio album, which arrived in 1965. The album reflected a more mature sound, moving away from their earlier reliance on cover songs and venturing into original compositions.
This period was crucial for The Hollies, as they began to establish their identity beyond their influences. The album, like the song itself, was a testament to their growing confidence as songwriters and musicians. It set the stage for their future successes, making it an essential piece of music in the evolution of British rock.
The Sound and Instrumentation
One of the defining aspects of We’re Through is its striking departure from the upbeat and harmony-driven pop sound that The Hollies were known for. Instead, the track introduces a darker, jazz-inflected style that immediately grabs the listener’s attention. The instrumentation is meticulously crafted, adding depth to the song’s introspective and somewhat melancholic lyrics.
Guitar Work
The guitar in We’re Through stands out for its unique approach. Tony Hicks, the band’s lead guitarist, utilizes a sharp, percussive acoustic guitar rhythm that punctuates the track’s moody atmosphere. The strumming pattern is unconventional, giving the song an almost flamenco-like quality that sets it apart from the typical British rock sound of the time.
Piano and Other Elements
Unlike many of their contemporaries who heavily relied on the electric organ or straightforward rock instrumentation, The Hollies incorporate subtle piano elements that enhance the song’s haunting ambiance. While not as prominent as the guitar, the piano lines contribute to the song’s layered texture, offering a more complex and sophisticated arrangement.
Bass and Drums
Eric Haydock’s bass line is another highlight of the track. It provides a steady, pulsing foundation that complements the unconventional guitar rhythm. Meanwhile, Bobby Elliott’s drumming adds to the song’s intensity, featuring tight, controlled snare patterns that drive the song forward without overwhelming the delicate balance of the arrangement.
Vocal Harmonies
As expected from The Hollies, the vocal performance on We’re Through is exceptional. Allan Clarke’s lead vocals are filled with emotion, delivering the song’s themes of heartbreak and frustration with conviction. The harmonies, provided by Graham Nash and Tony Hicks, are more restrained than in their previous hits but still add a crucial layer of richness to the track.
A New Artistic Direction
When We’re Through was released, it marked a significant moment in The Hollies’ career. The song deviated from the optimistic and energetic pop songs they had previously been associated with. Instead, it introduced a more serious, introspective side of the band.
The lyrics reflect a sense of finality and disillusionment, making it one of the band’s earliest ventures into more emotionally complex themes. This shift foreshadowed the deeper and more experimental songwriting that The Hollies would explore later in their career, especially in albums like Butterfly (1967) and Evolution (1967).
Why We’re Through Still Resonates
Even decades after its release, We’re Through remains a compelling listen for several reasons. Firstly, its innovative approach to rhythm and harmony sets it apart from other British Invasion hits of the era. The song’s jazz-influenced acoustic guitar work was ahead of its time, proving that The Hollies were not just following trends but actively shaping them.
Additionally, the song’s emotional depth gives it an enduring quality. The themes of heartbreak, self-respect, and moving on are universally relatable, ensuring that We’re Through continues to strike a chord with listeners across generations.
Recommended Listening: Similar Songs and Artists
If you appreciate We’re Through, you might enjoy these songs that capture a similar mood and style:
- The Zombies – She’s Not There
This track shares the same jazz-influenced rhythm and haunting atmosphere that makes We’re Through so distinctive. - The Byrds – I’ll Feel a Whole Lot Better
Featuring jangly guitars and introspective lyrics, this song echoes the themes of independence found in We’re Through. - The Yardbirds – Heart Full of Soul
A darker, more experimental take on British rock that aligns with the adventurous spirit of The Hollies’ work during this period. - Peter & Gordon – I Go to Pieces
A melancholic yet beautifully arranged song that resonates with the emotional themes present in We’re Through. - Manfred Mann – Pretty Flamingo
While slightly more upbeat, this track shares the sophisticated instrumentation and vocal prowess that The Hollies were known for.
Conclusion
We’re Through by The Hollies is a remarkable track that highlights the band’s willingness to push musical boundaries. Its combination of jazz-influenced guitar work, intricate harmonies, and introspective lyrics make it a standout piece of music within their catalog. The song’s placement within the Hollies album showcases the band’s evolution, proving that they were more than just hit-makers—they were artists unafraid to experiment with their sound.
For fans of British Invasion music and 1960s rock, We’re Through remains an essential listen. Whether you are drawn to its unique instrumentation, emotional depth, or historical significance, this song continues to be a testament to The Hollies’ musical ingenuity. If you enjoy songs that blend sophisticated arrangements with heartfelt storytelling, this track—and the Hollies album it came from—deserves a spot in your playlist.
From its innovative guitar rhythms to its subtle piano accents, We’re Through is a song that stands the test of time. As you explore The Hollies’ discography, this track serves as an excellent starting point for understanding the band’s transition from pop pioneers to seasoned musicians with a more refined artistic vision.